Josef Labor (1842-1924)

Cello Sonata in A Major, Op.7

Josef Labor (1842-1924)

Violin Sonata in d minor, Op.5

Josef Labor (1842-1924)

Piano Quartet in C Major, Op.6

Josef Labor (1842-1924)

Quintet in e minor for Pno, Vln, Vla, Vc & Kb, Op.3

Josef Labor (1842-1924)

Quintet in D Major for Pno, Cln, Vln, Vla & Vc, Op.11

   Franz Lachner (1803-1890)

String Quartet No.1 in b minor, Op.75

   Franz Lachner (1803-1890)

String Quartet No.2 in A Major, Op.76

   Franz Lachner (1803-1890)

String Quartet No.3 in E flat Major

   Franz Lachner (1803-1890)

String Quartet No.6 in e minor, Op.173

   Franz Lachner (1803-1890)

String Quintet (2 Cellos) in c minor, Op.121

   Franz Lachner (1803-1890)

Piano Quintet No.2 in a minor, Op.145

Franz Lachner (1803-1890)

Wind Octet in B flat Major, Op.156

Franz Lachner (1803-1890)

Nonet in F Major for Wind Quintet, String Trio & Bass

   Ignaz Lachner (1807-1895)

Piano Trio No.1 (Vln, Vla & Pno) in B flat Major, Op.37

   Ignaz Lachner (1807-1895)

Piano Trio No.2 (Vln, Vla & Pno) in G Major, Op.45

   Ignaz Lachner (1807-1895)

Piano Trio No.3 (Vln, Vla & Pno) in D Major, Op.58

   Ignaz Lachner (1807-1895)

Piano Trio No.4 (Vln, Vla & Pno) in d minor, Op.89

   Ignaz Lachner (1807-1895)

Piano Trio No.5 (Vln, Vla & Pno) in Eb Major, Op.102

   Ignaz Lachner (1807-1895)

Piano Trio No.6 (Vln, Vla & Pno) in C Major, Op.103

   Ignaz Lachner (1807-1895)

Die gute alte Zeit for 2 Violins & Cello, Op.77

 Ignaz Lachner (1807-1895)

String Quartet No.1 in F Major, Op.43

 Ignaz Lachner (1807-1895)

String Quartet No.2 in G Major, Op.51

 Ignaz Lachner (1807-1895)

String Quartet No.3 in C Major, Op.54

Ignaz Lachner (1807-1895)

String Quartet No.4 in G Major, Op.74

Ignaz Lachner (1807-1895)

String Quartet No.5 in G Major, Op.104

   Ignaz Lachner (1807-1895)

String Quartet No.6 in a minor, Op.105

Ignaz Lachner (1807-1895)

String Quartet No.7 (Op. Post.) in B flat Major

Ignaz Lachner (1807-1895)

Quartet for 4 Violins in G Major, Op.107

Paul Lacombe (1837-1927)

Dialogue Sentimental for Flute/Violin, Bassoon/Cello & Piano

Paul Lacombe (1837-1927)

Piano Trio No.3 in A Major, Op.134

Paul Lacombe (1837-1927)

Piano Quartet in c minor, Op.101

Théophile Lalliet (1837-1892)

Terzetto for Oboe, Bassoon & Piano, Op.22

   Édouard Lalo (1823-1892)

Cello Sonata in a minor (1856)

   Édouard Lalo (1823-1892)

Piano Trio No.1 in c minor, Op.7

   Édouard Lalo (1823-1892)

Piano Trio No.2 in b minor

   Édouard Lalo (1823-1892)

Piano Trio No.3 in a minor, Op.26

Édouard Lalo (1823-1892)

Serenade from Namouna for String Quartet (1884)

Édouard Lalo (1823-1892)

String Quartet in E flat Major, Op.19

Peter Erasmus Lange Müller (1850-1926)

Three Fantasy Pieces for Violin & Piano, Op.39

Peter Erasmus Lange Müller (1850-1926)

Piano Trio in f minor, Op.53

Rued Langgaard (1893-1952

Fjeldblomster (Mountain Flowers) for Piano Trio (1909)

   Josef Lanner (1801-1843)

Abendsterne Waltzes, Op.180 for String Quartet

   Josef Lanner (1801-1843)

Bruder Halt! Galopp, Op.16 for String Quartet

   Josef Lanner (1801-1843)

Cerrito Polka, Op.189 for String Quartet

   Josef Lanner (1801-1843)

Dornbacher Ländler, Op.9 for String Qt or Pno Qnt

   Josef Lanner (1801-1843)

Hans Jörgl Polka, Op.194 for String Quartet

   Josef Lanner (1801-1843)

Die Mozartisten, Op.196 Waltzes for String Quartet

   Josef Lanner (1801-1843)

Neue Wiener Ländler, Op.1 for 3 Vln+Vc or Str Qt

Josef Lanner (1801-1843)

Die Osmanen Waltzes, Op.146 for Str Qt or Piano Qnt

   Josef Lanner (1801-1843)

Die Romantiker Waltzes for Str. Qt. or Qnt.

   Josef Lanner (1801-1843)

Schönbrunner Waltzes, Op.200 for String Quartet

   Josef Lanner (1801-1843)

Steyrische Tänze, Op.165 for String Qt or Piano Trio

   Josef Lanner (1801-1843)

Die Werber Waltzes, Op.103 for String Quartet

   Josef Lanner (1801-1843)

Zwei Mazurkas for String Quartet

Lars-Erik Larsson (1908-1986)

Quartetto alla Serenata, Op.44

Ferdinand Laub (1832-1875)

Romance for Violin & Piano, Op.7

A beautiful recital piece. As the title suggests, romantic yet with a dramatic & contrasting middle section.

Ferdinand Laub (1832-1875)

Concert Polonaise for Violin & Piano, Op.8

A showy polonaise meant to be an audience pleaser with both lively as well as warm lyrical melodies.

Joseph Lauber (1865-1954)

String Quartet in g minor, Op.5

An excellent example of Swiss late Romantic era music. Unusual rhythms, original sounding, interesting & not at all hard to play.

Max Laurischkus (1876-1929)

Aus Litauen, Quitnet for Flute, Oboe, Clarinet, Horn & Bassoon

Dating from 1910, this evocative late Romantic era work, is a tone poem of Lithuania. Good for concert  & easy to play.

Hans Lavater (1885-1969)

String Quartet in g minor, Op.23

An attractive Post-Romantic era, yet still tonal, piece whose very effective tempo changes make for an interesting work.

Sylvio Lazzari (1857-1944))

Piano Trio in g minor, Op.13

A big and powerful work which combines the influence of Cesar Franck and Richard Wagner. A good choice for the concert hall.

Sylvio Lazzari (1857-1944))

String Quartet in a minor, Op.17

A powerful and highly individualistic work which combines elements of French impressionism with the German Romantic.

Luise Adolpha Le Beau (1850-1927)

Romanza for Violin & Piano, Op.35

A lovely work suitable for the recital hallo which can be recommended to both professional and amateur violinists.

Luise Adolpha Le Beau (1850-1927)

Piano Trio in d minor, Op.15

Superb mid Romantic era piano trio by an undeservedly unknown but fine German woman composer

Luise Adolpha Le Beau (1850-1927)

Piano Quartet in f minor, Op.28

If written by a man, it almost certainly would have received the attention it deserves. 1st rate from start to finish.

Jean Marie Leclair (1697-1764)

Piano Trio in D Major, Op.2 No.8

An excellent example of the baroque piano trio sonata which was ahead of its time as to part writing.

Charles Lefebvre (1843-1917)

Ballade for Flute, Cello or Bassoon & Piano

A lovely late French Romantic era work which is effective in either version. A good choice for concert & for amateurs.

Charles Lefebvre (1843-1917)

String Quartet No.1 in g minor, Op.80

This contemporary of Saint Saens won the prestigious Chartier Prize for Chamber Music twice. This quartet is part of the reason.

Charles Lefebvre (1843-1917)

String Quartet No.2 in E flat Major, Op.124

A generation older than the Impressionists & untouched by their influence, Lefebvre's fine qt is in the late French Romantic style

Charles Lefebvre (1843-1917)

Suite No.1 for Wind Quintet, Op.57

Light and upbeat, with fine part writing, this Suite makes an excellent program choice where a shorter work is required.

Charles Lefebvre (1843-1917)

Suite No.2 for Wind Sextet, Op.122

Full of appealing melodies and attractive part writing for each instrument, recommended for concert & home.

Jean Xavier Lefèvre (1763-1829)

Quartet No.4 for Clarinet, Violin, Viola & Cello in c minor

A lovely Haydnesque work by the one of the greatest French clarinetists.

Paul Le Flem (1881-1984)

Violin Sonata in g minor (1905)

Rooted in the Celtic folkloric music of his native Brittany in the style of the French impressionists.

Paul Le Flem (1881-1984)

Piano Quintet in e minor (1910)

Original and unusual combines the folk music of Brittany with the style of Cesar Franck and Vincent d'Indy

Franz Lehár (1870-1948)

Nechledil March for String Quartet

Part of our Vienna Dance Series for small ensembles. The famous march is taken from his operetta Wiener Frauen

Franz Lehár (1870-1948)

Frei und Jung Dabei March for String Quartet

Part of our Vienna Dance Series for small ensembles. The well known march is from his operetta Schon ist die Welt

Franz Lehár (1870-1948)

Nechledil Marsch for String Quartet

Part of our Vienna Dance Series for small ensembles. The famous march is taken from his operetta Wiener Frauen

Franz Lehár (1870-1948)

Gold & Silver Waltzes for Piano Quintet

One of Vienna's most famous and beloved set of waltzes not by either Johann Strauss.

Maximillian von Leidesdorf (1787-1840)

String Quartet in g minor, Op.144

Though there are elements of the classical & romantic eras, it sounds like little else from that period.

Maximillian von Leidesdorf (1787-1840)

Quintet for Clarinet, Bassoon, Violin, Cello & Piano in Eb

An outstanding work which combines late classicism with early romanticism. Beautifully written for all parts.

Guillaume Lekeu (1870-1894)

Violin Sonata in G Major (1892)

Regarded as a genius by his teachers d'Indy & Franck, this is a major work of the late French Romantic era.

Guillaume Lekeu (1870-1894)

Piano Trio in c minor

A powerful & dramatic work of a gifted young composer who took Beethoven and Cesar Franck as his models.

Guillaume Lekeu (1870-1894)

Piano Quartet (1894)

A superb work which truly belongs in the concert hall. Original, powerful and very effective.

Guillaume Lekeu (1870-1894)

String Quartet in G Major

One one of two works which he completed in its entirety, this is an important quartet from the French Impressionist era.

René Lenormand (1846-1932)

Piano Trio in g minor, Op.30

French romantic work which eschews impressionism. Fresh & original, good part-writing. A first rate work.

Franciszek Lessel (1780-1838)

Quartet for Flute, Violin, Viola & Cello in G Major, Op.3

One of the best flute quartets from the classical era. Appealing melodies and the strings are not ignored

Franciszek Lessel (1780-1838)

Piano Trio in E Major, Op.5

Probably the best piano trio from the classical era by a Polish composer. Dramatic, exciting and effective.

Franciszek Lessel (1780-1838)

String Quartet No.8 in B flat Major, Op.19

In the concertante style of the Wranitzky brothers of Vienna, one of the earliest Qts by a Polish composer

Les Vendredis for String Quartet

16 Works by Borodin, Korsakov, Glazunov et.al.

Marvelous collection of occasional pieces by Russian Romantic composers that are sure to please.

Max Lewandowsky (1874-1906)

String Sextet in c minor, Op.5

A first rate work, full of appealing melodies and good part writing. A valuable addition to the sextet repertoire. Good for concert & home.

Frank Limbert (1866-1938)

Viola Sonata in c minor, Op.7

A superb late romantic work full of drama and pathos, absolutely belongs in the recital hall.

Franz Limmer (1808-1857)

Quintet for Piano, Vln, Vla, Cello & Bass, Op.13

Here is another fine piano quintet with the rare Schubert "Trout" instrumentation for your consideration.

Adolf Lindblad (1808-1878)

Trio for Violin, Viola & Piano in g minor, Op.10

A valuable edition to the scanty repertoire for this combination. With appealing melodies and good part writing. Early romantic era.

Adolf Lindblad (1808-1878)

String Quartet No.1 in G Major

A fellow student and life long friend of Mendelssohn, this lovely work is not difficult to play & can be recommended to amateurs.

Adolf Lindblad (1808-1878)

String Quartet No.4 in b minor

In the style of the early romantics with some resemblance to early Mendelsohn. Called the Swedish Schubert, he had a gift for melody.

Adolf Lindblad (1808-1878)

String Quintet (2 Violas) in F Major

Dating from the 1820s this interesting early Romantic era work combines elements of late Haydn and early Beethoven.

Johan Lindegren (1842-1908)

String Quintet (2 Violas) in F Major

A big, well-written, first rate work from the mid-romantic period which ranks among the best from Scandinavia.

Peter Lindpaintner (1791-1856))

String Trio in g minor, Op.52 No.2

A typical example of the early Romantic era. A turbulent, exciting work with good part-writing for all three voices

Karol Lipinski (1790-1861)

String Trio No.1 (2 Vlns & Vc) in g minor, Op.8

A very exciting showpiece for a top notch violinist and two other accomplished players

Karol Lipinski (1790-1861)

String Trio No.2 (2 Vlns & Vc) in A Major, Op.12

Though this fine trio requires technically assured players, it is not a vehicle for the first violin. Makes an excellent concert choice.

Franz Liszt (1811-1886))

Orpheus a Tone Poem for Piano Trio

A superb arrangement of this popular work for orchestra made by Camille Saint Saens. Excellent concert choice.

Franz Liszt (1811-1886))

Hungarian Rhapsody No.2 for String Quartet

A very effective arrangement which can serve as a superb encore which will bring down the house or a shorter program work.

Franz Liszt (1811-1886))

Mephisto Waltz No.1 for String Quartet

A superb and highly effective arrangement of this famous work for string quartet

Henry Litolff (1818-1891)

Piano Trio No.1 in d minor, Op.47

Every bit as fine as a Mendelssohn piano trio. Full of drive, power, gorgeous melody and fine part-writing.

Henry Litolff (1818-1891)

Piano Trio No.2 in E flat Major, Op.56

An outstanding work, dramatic and melodius, this work belongs in the concert hall and as part of the repertoire.

Matthew Locke (1621-1677))

Suite No.1 for String Trio in c minor

An important example of early chamber music by the central figure in mid 17th century English music. Typical of its era. A very effective work.

Charles Martin Loeffler (1861-1935)

String Quartet in a minor (1889)-World Premiere Edition

An early work from his pre-impressionist period. Hailed as very worthwhile by the Chamber Music Journal.

Charles Martin Loeffler (1861-1935)

Music for 4 Stringed Instruments (String Quartet)

A powerful and original work combining the tonalities of French Impressionism with New England Positivism.

Charles Martin Loeffler (1861-1935)

String Quintet (3Vlns, Vla & Vc or 2Vlns, 2Vla & Vc)

Combines exotic tonalities with Slavic folk tunes. Highly praised by the Chamber Music Journal.

Charles Martin Loeffler (1861-1935)

Two Rhapsodies for Oboe, Viola & Piano (1901)

A beautful and evocative rendering of two eerie French poems. Shows the influence of French impressionism.

Jean Baptiste Loeillet (1688-1720)

Trio Sonata in b minor for Piano Trio

Written in the Italian style after those of Corelli, Loillet's served as models for Haydn. Good part writing

Carl Loewe (1796-1869))

String Quartet No.1 in G Major, Op.24 No.1

A very interesting work, especially in the way the Loewe combines his thematic material. Fine early romantic work

Carl Loewe (1796-1869))

String Quartet No.2 in F Major, Op.24, No.2

A highly original use of rhythmic figures against long-lined vocal melodies creates very striking effects.

Carl Loewe (1796-1869))

String Quartet No.3 in B flat Major, Op.24 No.3

A fine work, fresh and original which would do well in concert instead of a Haydn, Mozart or early Beethoven.

Alessandro Longo (164-1945)

Suite for Viola and Piano, Op.53

An effective recital work, well-written for both instruments, Longo shows a fine ear for pleasing melodies.

Alessandro Longo (164-1945)

Piano Quintet in E Major, Op.3

Appealing melodies, good part-writing, no real technical problems, a sure audience pleaser. What's not to like?

Louis Ferdinand, Prince of Prussia (1772-1806)

Piano Trio No.2 in E flat Major, Op.3

A lovely work, clearly influenced by Mozart, yet in many ways anticipating Schubert.

Louis Ferdinand, Prince of Prussia (1772-1806)

Piano Trio No.3 in E flat Major, Op.10

Here the composer shows himself familiar with the piano trios of Haydn and the piano technique of Mozart.

Louis Ferdinand, Prince of Prussia (1772-1806)

Andante & Variations for Piano Quartet, Op.4

A shorter work, perhaps preparatory for Op.5. In the tradition of the Vienna classics. Elegant and beautiful

Louis Ferdinand, Prince of Prussia (1772-1806)

Piano Quartet No.1 in E flat Major, Op.5

A work which straddles the classical and romantic eras with tinges of Mozart, Beethoven and Schubert.

Louis Ferdinand, Prince of Prussia (1772-1806)

Piano Quartet No.2 in f minor, Op.6

Dating from 1806 this work is widely regarded as the best of this genre from the late classical era. A must for concert.

Louis Ferdinand, Prince of Prussia (1772-1806)

Piano Quintet in c minor, Op.1

Possibly the earliest Piano Quintet and the only first rate one from the late Classical era.

Louis Ferdinand, Prince of Prussia (1772-1806)

Octet for Cln, 2 Hn, 2 Vla, 2 Vc & Pno in F Major, Op.12

Probably the only work for this combination. A fine work which falls between classicism and early romanticism.

Herman Løvanskiold (1815-1870)

Piano Quartet in f minor, Op.26

In the Schumann-Mendelssohn tradition. This lovely work boasts appealing melodies & good part writing.

Fortunato Luzzatto (1857-1937)

Suite for 2 Violins, Cello & Piano in G Major, Op.51

Elegant & charming with appealing melodies & good part writing and not hard to play, this work has it all.

Sergei Lyapunov (1859-1924)

Piano Sextet (2Vln, Vla, Vc, Kb & Pno), Op.63

Superb Russian late Romanic work. Lovely melodies and fine part writing with echoes of Rimsky Korsakov

Boris Lyatoshinsky (1895-1968)

Piano Trio No.1, Op.7 (1925)

Subtitled Suite on Ukrainian Folk Themes

Boris Lyatoshinsky (1895-1968)

Piano Trio No.2, Op.41 (1942)

A very different work than No.1. By turns dramatic and powerful, a superb work, a must for the concert hall

Boris Lyatoshinsky (1895-1968)

String Quartet No.4 in d minor, Op.43

While still harking back to Tchaikovsky and Scriabin, the trio also shows him search for new paths.

   Mykola Lysenko (1842-1912)

String Trio in a minor--World Premiere Edition

   Mykola Lysenko (1842-1912)

String Quartet in d minor--World Premiere Edition

   Mykola Lysenko (1842-1912)

Prayer for Ukraine for Strings, Winds or Winds & Strings

Walter Macfarren (1826-1905)

Cello Sonata in e minor (1859)

One of the best written between Mendelssohn & Brahms. An unjustly neglected mid-romantic era masterwork.

Alexander MacKenzie (1847-1935)

Piano Quartet in E flat Major, Op.11

Fresh & original with appealing melodies. Belongs on the concert stage but also suitable for amateurs.

Adela Maddison (1862-1929))

Piano Quintet (1916)

An interesting blend of French impressionism and English country melody.

   Albéric Magnard (1865-1914)

Cello Sonata in A Major, Op.20

Albéric Magnard (1865-1914)

Violin Sonata in g minor, Op.13

   Albéric Magnard (1865-1914)

String Quartet in e minor, Op.16

   Albéric Magnard (1865-1914)

Quintet for Flute, Oboe, Clarinet, Bassoon & Piano, Op.8

Gustav Mahler (1860-1911)

Piano Quartet in a minor

An interesting work as it provides insight into Mahler's original compositional technique.

Amanda Maier (1853-1894)

Six Pieces for Violin & Piano (1879)

Intended as s suite, these wonderful short works can be played together or individual as a shorter recital work or encore.

Amanda Maier (1853-1894)

Swedish Airs & Dances for Violin & Piano, Op.6 (1882)

Six marvelous pieces written in collaboration with her husband Julius Rontgen. Super choice for recital.

Amanda Maier (1853-1894)

Sonata for Violin & Piano in b minor (1874)

Her music was admired by Brahms & Grieg. Prize winning sonata from the Leipzig Conservatory. 1st Class work.

Amanda Maier (1853-1894)

Piano Trio in E flat Major (1874)

This trio was played for both Brahms and Grieg who found it to be a first rate work. Good for concert and amateurs.

Amanda Maier (1853-1894)

String Quartet in A Major (1877) World Premiere Edition

This fine work languished unpublilshed until now. Full of appealing melodies, it is not hard to play, good for concert & home.

Witold Maliszewski (1873-1939)

Violin Sonata in G Major, Op.1

Written on a huge scale, an absolutely first rate work, belongs in the repertoire. A great sonata.

Witold Maliszewski (1873-1939)

String Quartet No.1 in F Major, Op.2

A first rate work, with good part writing for all, very attractive and original sounding melodies. An audience pleaser and good for home

Witold Maliszewski (1873-1939)

String Quartet No.2 in C Major, Op.6

Quite Russian sounding and showing the influence of his teacher Rimsky Korsakov. Appealing melodies, good to hear and play

Witold Maliszewski (1873-1939)

String Quartet No.3 in E flat Major, Op.15

Member of the Belaiev Circle, A late Russian Romantic work that is interesting, appealing & with fine part writing.

Witold Maliszewski (1873-1939)

String Quintet (2 Cellos) in D Major, Op.3

One of the very best from the late Russian Romantic era. Superb part writing, lovely melodies, fun & easy to play, great for concert or home.

Otto Malling (1848-1915)

Piano Trio in a minor, Op.36

Considered one of the very best Danish Romantic Piano Trios. Charming with lovely melodies & fine part writing.

Otto Malling (1848-1915)

Piano Quartet in c minor, Op.80

One of the finest piano quartets from the Romantic era. Good part writing for all & not hard to play.

Otto Malling (1848-1915)

Piano Quintet in G Major, Op.40

Hailed by Carl Nielsen as the finest Danish Romantic era piano quintet. First rate all the way.

Otto Malling (1848-1915)

String Octet in d minor, Op.50

One of the very best works of its type from the Romantic era. Good for concert and home.

Joan Manen (1883-1971)

String Quartet (1922)

Post Romantic but still tonal, the work describes various moods at different times of day

Ferdinand Manns (1844-1922)

4 Kleine Quartette for 3 Violins & Viola, Op.39

These wonderful 4 short quartets individually make fine encores & together a very effective program choice.

Benedetto Marcello (1686-1739)

Six Sonatas for Cello and Piano, Op.1

Historically important as they are among the best of the Baroque era cello sonatas. Very effective in recital.

Heinrich Marschner (1795-1861)

Romanza for Piano Trio

A highly romantic, lovely encore piece by an unjustly forgotten mid 19th century master.

Heinrich Marschner (1795-1861)

Piano Trio No.2 in g minor, Op.111

Of this work, Schumann said, "Outstanding examples of talent flash out everywhere."  A very good piano trio.

Heinrich Marschner (1795-1861)

Piano Trio No.4 in D Major, Op.135

Lighter and more upbeat than the trios in the minor, but still with all the appealing melodies and fine part writing to be found therej

Heinrich Marschner (1795-1861)

Piano Trio No.5 in d minor, Op.138)

A magnificent work, hailed by critics as a Romantic era masterpiece but also warmly recommended to amateurs.

Heinrich Marschner (1795-1861)

Piano Trio No.7 in F Major, Op.167

An archetypical romantic piano trio from the mid 19th century. Finely crafted with captivating melodies.

Henri Marteau (1874-1934)

String Trio in f minor, Op.12

Powerful, dramatic, highly original, this is an early modern masterpiece. A repertoire must for pros.

Henri Marteau (1874-1934)

String Quartet No.1 in D flat Major, Op.5

In this late Romantic era work, the composer takes traditional tonality and pushes it to its outer limits. Interesting & challenging.

Henri Marteau (1874-1934)

String Quartet No2 in D Major, Op.9

Tonally much like his first quartet, but perhaps more playful and light hearted. Certainly innovative..

Henri Marteau (1874-1934)

String Quartet No.3 in C Major, Op.17

An extraordinary work. Original, superb writing for all voices, highly dramatic and very powerful. 1st Class.

Henri Marteau (1874-1934)

Clarinet Quintet, Op.13

A marvelous early modern work which belongs in the repertoire. One of the very best of its type.

Henri Marteau (1874-1934)

Serenade (nonet) for Winds, Op.20

A neo classical light work which gives each of the instruments a good part. Excellent program choice.

Frank Martin (1890-1974)

Piano Quintet in d minor (1921)

This is the kind of work Johann Sebastian Bach might well have written had he been composing in 1920.

Bohuslav Martinů (1890-1959)

Serenade No.2 for Two Violins and Viola, H.216

One of four serenades composed in 1932 during his neo-classical period. Bright, lively and eminently playable.

Bohuslav Martinů (1890-1959)

String Quartet No.1

Dating from 1918 and composed for the Sevcik String Quartet, he nicknamed it 'The French' as he was influenced by Ravel & Debussy

Bohuslav Martinů (1890-1959)

Serenade No.1, Sextet for 3 Violins, Viola, Clarinet & Horn

Composed during his Parisian period in the 1930s. Easy and fun to play, there is an aura of neo classicism to it

Bohuslav Martinů (1890-1959)

Les Rondes for 2 Violins, Oboe, Clarinet, Bassoon, Trumpet & Piano

Composed in 1930, it is a striking combination of jazz and Moravian dances in a modernistic format.

Bohuslav Martinů (1890-1959)

Nonet for Winds & Strings

Composed for the famous Czech Nonet, this is a fine and accessible modern work with no technical difficulties.

Giuseppe Martucci (1856-1909)

Andante con moto for Cello & Piano, Op.72 No.1

A lovely work full of evocative melody. A good choice where a short program piece is need or for an encore.

Giuseppe Martucci (1856-1909)

Cello Sonata in f sharp minor, Op.52

A Masterwork. As fine as any cello sonata from the late Romantic era. Without doubt belongs in the repertoire.

Giuseppe Martucci (1856-1909)

Violin Sonata in G Major, Op.22

Superb from start to finish. Captivating and exciting melodies. This work will triumph in the recital hall.

Giuseppe Martucci (1856-1909)

Piano Trio No.1 in C Major, Op.59

Original sounding, does not remind of anyone else. A first rate early modern Italian work. Belongs in the repertoire.

Giuseppe Martucci (1856-1909)

Piano Trio No.2 in E flat Major, Op.62

A big work with Brahmsian echoes. One of the finest 19th century Italian romantic piano trios.

Giuseppe Martucci (1856-1909)

Piano Quintet in C Major, Op.45

A massive, late romantic masterwork. By turns poetic and thrilling, with brilliant part writing for all.

Joseph Marx (1882-1964)

Trio Phantasie for Piano Trio (1913)

A big, late romatic first class work. Highly original, appealing melodies, would do well in concert.

Joseph Marx (1882-1964)

Rhapsodie for Piano Quartet in A Major (1911)

A powerful, dramatic and highly lyrical work that is an amalgam of late romanticism and early impressionism.

Joseph Marx (1882-1964)

Scherzo for Piano Quartet in d minor (1911)

As long as a full length piano quartet. Very original, atmospheric, yet full of lyrical emotion and drama.

Joseph Marx (1882-1964)

Ballade for Piano Quartet in a minor (1911)

The third and most intimate of Marx's 3 titanic works for piano qt. Takes Bachian counterpoint as its starting point

Joseph Marx (1882-1964)

Quartetto Classico String Quartet No.3

Marx's last quartet was a tribute to the Vienna Classica era but presented in an updated and very appealing way

Emilie Mayer (1812-1883)

Sonata for Violin & Piano in a minor, Op.18

A masterwork. Only the fact that she was a woman at a time when works by women were not respected can explain its disappearance.

Emilie Mayer (1812-1883)

Sonata for Violin & Piano in e minor, Op.19

An absolutely 1st rate work. As good as anything from this period (1867) Belongs in the repertoire. Outstanding.

Emilie Mayer (1812-1883)

Notturno for Violin & Piano in d minor, Op.48

A lovely, flowing and peaceful night piece dedicated to Joseph Joachim. A fine recital or encore choice

Emilie Mayer (1812-1883)

Piano Trio No.1 in e minor, Op.12

She was called the female Beethoven because her work showed his influence. Tuneful, good for concert & hyome.

Emilie Mayer (1812-1883)

Piano Trio No.2 in D Major, Op.13

From 1859, the trio shows the influence of early Beethoven but the part writing is far in advance of his early trios.

Emilie Mayer (1812-1883)

Piano Trio No.3 in b minor, Op.16

A powerful work full of excitement and drama which no doubt won her the sobriquet the Female Beethoven

Emilie Mayer (1812-1883)

Piano Quartet in E flat Major (circa 1857)

Dating from the mid 19th century, this is a work which would have become known had she been a man.

Emilie Mayer (1812-1883)

String Quartet in g minor, Op.14

Those familiar with this work hold it the equal of the Mendelssohns & Schumanns. A very fine 1st class work

Emilie Mayer (1812-1883)

String Quartet in e minor

One of her 6 previously unpublished quartets, a very exciting work good for concert but also amateurs

Joseph Mayseder (1789-1863)

Violin Sonata No.2 in e minor, Op.42

Elegant, graceful, charming, tasteful, dramatic, lyrical, exciting, virtuosic, all of these terms can describe this fine work..

Joseph Mayseder (1789-1863)

Piano Trio No.1 in B  flat Major, Op.34

Mayseder can be considered an archetypical Biedermeier composer par excellence with his lively melodies and tasteful writing.

Joseph Mayseder (1789-1863)

Piano Trio No.2 in A flat Major, Op.52

This is another exemplar from Vienna's Biedermeier era. Sometimes gentle, other times and exciting and dramtic.

Joseph Mayseder (1789-1863)

Variations Concertantes for Piano Quartet in D Major, Op.57

A lighter work of a type quite popular throughout the 19th century designed to showcase the abilities of each player.

Joseph Mayseder (1789-1863)

Souvenir á Baden for Piano Quartet in E Major, Op.63

A theme and set of variations designed to showcase the abilities of each player. The type of work popular with mid 19th century audiences

Joseph Mayseder (1789-1863)

String Quartet No.2 in g minor, Op.6

Restless, powerful, dramatic and exciting, the work of a young man. A great choice for concert or home.

Joseph Mayseder (1789-1863)

String Quartet No.5 in D Major, Op.9

Full of drama, excitement and beautiful melodies from Vienna's leading violinist during the early decades of the 19th century.

Joseph Mayseder (1789-1863)

String Quintet No.1 (2 Violas) in E flat Major, Op.50

If you want a work which is sure to bring an audience to its feet shouting Bravo at its conclusion--this is it.

Joseph Mayseder (1789-1863)

String Quintet No.2 (2 Violas) in a minor, Op.51

A real barn burner. This quintet has everything- drama excitement, compelling melodies, solos for all.

Jacques Féréol Mazas (17882-1849)

String Trio No.1 (2 Vlns & Vc/Vla) in G Maj, Op.18 No.1

In the French classical style of the First Empire. An engratiating work with no technical difficulties.

John Blackwood McEwen (1868-1948)

String Quartet No.2 in a minor (1898)

Attractive early modern work by one of the leading British composers of the 1st part of the 20th century.

John Blackwood McEwen (1868-1948)

String Quartet No.4 in c minor (1905)

Highly original, tonally advanced for its time. Belongs in the concert hall but also recommended for amaterus

John Blackwood McEwen (1868-1948)

String Quartet No.6 in A Major, "Biscay"

Well-written with superb use of Scottish folk melodies. Will triumph in concert but presents no techical problems

John Blackwood McEwen (1868-1948)

String Quartet No.15 'in modo scotico'

As the title suggests, this quartet has much Scotish folk melody but in an updated modern (1936) setting.

Nikolai Medtner (1880-1951)

Violin Sonata No.1 in b minor, Op.21

Important late romantic work which shows the influence of Taneyev and Scriabin. Original with fine melodies.

Nikolai Medtner (1880-1951)

Violin Sonata No.2 in G Major, Op.44

A huge work, not quite as big as No.3. Dramatic, powerful, lyrical, highly original--its all of these.

Nikolai Medtner (1880-1951)

Violin Sonata No.3 in e minor "Sonata Epica", Op.57

Truly a work of epic proportions and certainly one of the most important violin sonatas of the 20th century.

Nikolai Medtner (1880-1951)

Three Nocturnes for Violin & Piano, Op.16

Inspired by Goethe's famous poem Nachtgesang (Night Song). 3 different pieces evoking the sounds of night

Nikolai Medtner (1880-1951)

Two Canzonas with Dances for Violin & Piano, Op.43

Four lyrical works which demonstrate Medtner's ability of writing flowing melodies. Evocative and haunting.

Nikolai Medtner (1880-1951)

Piano Quintet in C Major (1949)

Taking more than 40 years to complete, it is a combination of the music of Rachmaninov and Late Beethoven.

Vincenzo de Meglio (1825-1883)

Andante and Allegro for Piano Trio, Op.67

A work for 19th century Italian salons . Lovely melodies, fine part-writing, great for concert. Not to be missed.

Ludiwig Meinardus (1827-1896)

String Quartet No.2 in C Major, Op.43

A follower of Schumann but also influenced by Late Beethoven, this quartet is an interesting blend of the romantic with the classical.

Erkki Melartin (1875-1937)

Six Pieces for Piano Trio, Op.121

These six short, lovely pieces when played together are about the length of a piano trio, but each one makes a superb encore.

Erkki Melartin (1875-1937)

String Trio in a minor, Op.133

A post-romantic era, early modern masterwork for string trio. A superb choice for the concert  hall..

Erkki Melartin (1875-1937)

String Quartet No.1 in e minor, Op.36 No.1

An important late Romantic era Finnish composer whose music is unjustly ignored but on a par with Sibelius as this quartet shows.

Erkki Melartin (1875-1937)

String Quartet No.2 in g minor, Op.36 No.2

Another fine, late Romantic era Finnish composer whose music deserves to be as well-known as that of Sibelius

Erkki Melartin (1875-1937)

String Quartet No.3 in E flat Major, Op.36

The third of his four master quartets which deserve to be in the repertoire and heard in concert often

Erkki Melartin (1875-1937)

String Quartet No.4 in F Major, Op.62 No.1

Another masterwork. Unknown only because it was not published until 100 years after it was composed

Henryk Melcer (1869-1928))

Piano Trio in g minor, Op.2

Awarded the Grand Prize at the 1895 Intl Rubinstein Competition by Glazunov. A first class late Romantic work.

Arnold Mendelssohn (1855-1933)

Sonata for Violin & Piano in C Major, Op.71

Combining late romantic melodic writing with emerging modernist ideas, this 1st rate sonata belongs in the repertoire.

Arnold Mendelssohn (1855-1933)

Trio for 2 Violins & Piano in a minor, Op.76

A neo-romantic gem for this rare genre. Well written, tuneful, no insuperable technical difficulties.

Arnold Mendelssohn (1855-1933)

String Quartet No.1 in D Major, Op.67

A major post romantic-early modern work. Belongs in the repertoire. Called a winner by Wilhelm Altmann.

Arnold Mendelssohn (1855-1933)

String Quartet No.2 in B flat Major, Op.83

Can be ranked with the finest works of Richard Strauss, Hugo Wolf & Max Reger. Late romantic-neo classical.

Felix Mendelssohn (1809-1847)

Viola Sonata in c minor (1823)

An early work which nonetheless, like the others from this period is fully finished. Lyrical and appealing

Felix Mendelssohn (1809-1847)

String Symphony No.1 for 2 Violins, Viola, Cello & Bass

The first of his 12 string symphonies. Really only intended for 5 players. A straight forward, effective work.

Felix Mendelssohn (1809-1847)

String Symphony No.2 for 2 Violins, Viola, Cello & Bass

The second of his 12 string symphonies. An assignment from his teacher to be played in the Mendelssohn fmaily home. A good work.

Felix Mendelssohn (1809-1847)

String Symphony No.3 for 2 Violins, Viola, Cello & Bass

The 3rd of his 12 string symphonies. Played in the Mendelssohn home with only 5 players. Well written & fun to play

Felix Mendelssohn (1809-1847)

String Symphony No.4 for 2 Violins, Viola, Cello & Bass

The 4th of his 12 sinfonias which referred to the style not the number of players required in this case five.

Felix Mendelssohn (1809-1847)

String Symphony No.5 for 2 Violins, Viola, Cello & Bass

Another work originally intended for home use & only for 5 players. Full of youthful energy and elan.

Felix Mendelssohn (1809-1847)

String Symphony No.6 for 2 Violins, Viola, Cello & Bass

The last of the first set of six dating from 1821 when he was 11. Exciting and interesting and quite well written

Felix Mendelssohn (1809-1847)

String Symphony No.7 for 2 Vins, 2 Vlas, Cello & Bass

The first of the second set in which Mendelssohn moves more toward the classical rather than baroque model.

Felix Mendelssohn (1809-1847)

String Symphony No.9 for 4 Violins, 2 Violas, Cello & Bass

The so-called 'Swiss Symphony' but only meant for 8 strings. A lovely work. Fun to play, not difficult either.

Felix Mendelssohn (1809-1847)

String Symphony No.10 for 2 Vins, 2 Vlas, Cello & Bass

The only one of the string sinfonia which has just one movement, albeit a subtantial one.

Felix Mendelssohn (1809-1847)

String Symphony No.11 for 2 Vins, 2 Vlas, Cello & Bass

The most substatial of the 12 with 5 movements and the famous Schweizerlied Scherzo.

Felix Mendelssohn (1809-1847)

String Symphony No.12 for 2 Vins, 2 Vlas, Cello & Bass

The last of his string symphonies feature two marvelous Bachian fugues. Good to hear, fun to play

Giacomo Meyerbeer (1791-1864)

Clarinet Quintet in E flat Major (1813)

Much like Carl Maria von Weber's clarinet quintet, full of lovely melodies, a vehicle for the clarinetist

Frantisek Adam Mica (1746-1811)

String Quartet No.2 in C Major

Dating from the mid 1780's, here is yet another contemporary of Mozart and Haydn whose music is well worth hearing & playing

Ernst Mielck (1877-1899)

String Quartet in g minor, Op.1

A fresh & beautiful work which received the highest praise from his teacher, Max Bruch

Carl Mikuli (1821-1897)

Scherzino in c minor for 3 Violins, Op.25

Finely written for all three voices, with lovely melodies. An excellent concert choice suitable for pros and amateurs.

Darius Milhaud (1892-1974)

Quartet for Flute, Oboe, Clarinet & Piano, Op.47

Though not a part of the cutting edge French group of composers known as Les Six, this work nonetheless resembles their efforts.

Darius Milhaud (1892-1974)

String Trio, Op.274 (1947)

This appealing and approachable trio combines polytonalism with neo-classical & neo-baroque writing.

Darius Milhaud (1892-1974)

String Quartet No.1 (1912)

The first of his substantial 18 works for string quartet. Written at age 20 it shows the influence of Debussy without copying him.

Darius Milhaud (1892-1974)

String Quartet No.4 (1918)

A fine example of the French modernist works of Les Six. Combines polytonality with folk melody.

Darius Milhaud (1892-1974)

La Creation du Monde for Piano Quintet, Op.81b

Written shortly after his visit to Harlem in New York, the work employs the melodies and rhythms of the blues and the jazz idiom.

Adolf Mišek (1877-1899)

Sonata No.1 for Bass & Piano in A Major, Op.5

A bright, lively and fresh work wonderfully written in the Romantic idiom for the bass.

Adolf Mišek (1877-1899)

Sonata No.2 for Bass & Piano in e minor, Op.6

A dark, deep and rich with overtones of Brahms and Dvorak. One of the best Romantic era works for bass.

Franz Mittler (1893-1970)

Piano Trio in G Major, Op.3

This work screams "masterpiece". You must hear the sound-bites. A superb late romantic gem.

Franz Mittler (1893-1970)

String Quartet No.1 in F Major--World Premiere Edition

A late Romantic, Post-Brahmsian gem. Appealing melodies, fine part-writing. First rate from start to finish.

Franz Mittler (1893-1970)

String Quartet No.2 in e minor--World Premiere Edition

A fine Post- Brahmsian, late Romantic work. Redolent of the perfume of fin d'siecle Vienna.

Franz Mittler (1893-1970)

String Quartet No.3 in d minor--World Premiere Edition

Powerful & descriptive of the break up of the Old Austria  & Habsburg Empire. A superb concert work.

Franz Mittler (1893-1970)

4 Songs for Voice & String Qt--World Premiere Edition

An evocative song cycle based on the poems of Hermann Hesse. Modern but still tonal.

Franz Mittler (1893-1970)

Cello Sonata in G Major (1910)-World Premiere Edition

Well written and full of luscious, rich melodies, this is a wonderful addition to the later romantic cello repertoire.

Franz Mittler (1893-1970)

Violin Sonata No.1 in G Major World Premiere Edition

An excellent choice for a recital, this beautiful Romantic era sonata is sure to please.

Franz Mittler (1893-1970)

Violin Sonata No.2 in D (1909) World Premiere Edition

It would not be wrong to call this work a late Romantic Viennese masterpiece. A winner in recital for sure..

Emil Mlynarski (1870-1935)

Polonaise for Violin and Piano, Op.4 No.1

Polish, but also through the prism of late Romanticism with appealing lyricism. Makes a goodrecital work or encore

Emil Mlynarski (1870-1935)

Mazurka for Violin and Piano, Op.7

A real Polish Mazurka to be sure! Lively and full of bounce, it could even be danced to. Excellent shorter recital work or encore

Ernest Moeran (1894-1950)

Piano Trio in D Major (1920-25)

Combines elements of English folk melody with French impressionism and touches of Brahmsian effects.

Ernest Moeran (1894-1950)

String Trio in G Major (1931)

Here Moeran uses English folk melody with telling effect combining it with more modern developments.

Ernest Moeran (1894-1950)

String Quartet No.1 in a minor

Characteristic of the English Revival movement, lyrical and redolent of English folk melody and landscapes.

Ernest Moeran (1894-1950)

String Quartet No.2 in E flat Major

Composed just after his first quartet, it shares many of the attractive features of that work..

Ernest Moeran (1894-1950)

Phantasy Quartet for Oboe, Violin, Viola & Cello

Moody and evocative of his native Norfolk countryside utilizing some of its folk melodies.

Heinrich Mohr (1894-1950)

Zigeunermusik for Clarinet, String Quartet & Piano, Op.36

A short, rousing fun piece to play evoking images of a gypsy ensemble. An audience pleaser.

Leonardo Moja (1811-1888)

Sonata for String Trio in d minor, Op.22

Mid Romantic work with fine part-writing and attractive themes. Good for concert performance or amateurs

Roderich von Mojsisovics (1877-1953)

Serenade for String Trio in A Major, Op.21

Very late Romantic, post Brahmsian. Traditionally tonal but seaching to expand these boundaries. A fine work.

Heinrich Molbe (1835-1915)

Scene des Sylphides for Clarinet, English Horn & Piano, Op.66

An evocation of the famous fairy-like air spirits of Greek Mythology. Very effective with good part-writing.

Heinrich Molbe (1835-1915)

Fête des Dryades for Bassoon, Horn & Piano, Op.68

An evocation of the woodland nymphs of Greek Mythology. All three instruments are given innings.

Heinrich Molbe (1835-1915)

Air Arabe for Oboe, Horn & Piano, Op.77

A superbly written work for this rare combination which evokes the exotic and sensual Near East.

Heinrich Molbe (1835-1915)

Ronde de Printemps for Clarinet, Horn & Piano, Op.78

Another fine work highlighting Molbe's mastery of writing for winds and piano. Evocative and lovely.

Heinrich Molbe (1835-1915)

String Quintet (2 Vc) in B flat Major, Op.44

Lovely melodies and no technical difficulties make this work a good choice for amateurs ensembles.

Heinrich Molbe (1835-1915)

String Sextet (Vc & Kb) in D Major, Op.64

Valuable addition to the literature as it is for cello & bass. Again, lovely melodies, not difficult, a good work.

Bernhard Molique (1802-1869)

Piano Trio No.1 in g minor, Op.27

A fine mid Romantic era work in a Mendelssohnian vein. A favorite of the famous pianist Hans von Bulow.

Bernhard Molique (1802-1869)

Piano Trio No.2 in F Major, Op.52

A first rate work often compared to the trios of Schubert & Mendelssohn. Good for concert & home..

Bernhard Molique (1802-1869)

String Quartet No.3 in F Major, Op.18 No.1

A good early Romantic era work combining the influence of Beethoven and Mendelssohn

Bernhard Molique (1802-1869)

String Quartet No.4 in a minor, Op.18 No.2

The second of the set provides lyricism and excitement a la early Beethoven and Mendelssohn.

Bernhard Molique (1802-1869)

String Quartet No.7 in B flat Major, Op.42

This Mendelssohnian work was composed for two of his English friends, amateur enthusiasts while he wes living in London.

Bernhard Molique (1802-1869)

String Quartet No.8 in A Major, Op.44

A tribute to Mendelssohn, his favorite composer, from the music right down to the opus number. A very good mid-romantic work.

Bernhard Molique (1802-1869)

Quintet for Flute & Strings in D Major, Op.35

Good part writing for all, not just the flute. Certainly one of the very best flute quintets from the mid Romantic era (1848)

Stanislav Moniuszko (1819-1872)

String Quartet No.1 in d minor

Schubertian melody combined with traditional Polish dance rhythms create a fresh and original work.

Stanislav Moniuszko (1819-1872)

String Quartet No.2 in F Major

Takes early Beethoven and Schubert as its models. No technical difficulties, tuneful and will appeal to amateurs.

Emanuel Moór (1819-1872)

Cello Sonata No.2 in G Major, Op.55

A late romantic work with convincing melodies, drama, excitement and excellent part-writing.

Mariano Mores (1918-2016)

Two Tangos for Piano Trio

Cafetin de Buenos Aires & La Calesita are 2 popular tangos by one of Argentina's best tango composers in very effective arrangements

Ignaz Moscheles (1794-1870)

Cello Sonata in E Major, Op.121

This big mid Romantic era work certainly belongs in the recital hall. work. It would not be amiss to have called it "Grand Sonata:

Ignaz Moscheles (1794-1870)

Septet in D Major for Cln, Hn, Vln, Vla, Vc, Kb & Piano

Probably the first of its kind (1833) by the virtuoso pianist who was a friend of Beethoven & teacher of Mendelssohn. A dazzling work.

Alexander Mosolov (1881-1950)

String Quartet No.1, Op.24 (1926)

Part of the so-called Russian Futurist movement exploring new ways of expressing melody & harmony.

Moritz Moszkowski (1854-1925)

Five Spanish Dances for Violin & Piano, Op.12

Five superb atmospheric pieces any of which can be used as a fine encore or together in place of a full length sonata

Moritz Moszkowski (1854-1925)

Ballade for Violin & Piano, Op.16 No.1

It starts off with a lovely lyrical section which leads to a stunning series of virtuosic episodes. A tour de force in the recital hall

Moritz Moszkowski (1854-1925)

Bolero for Violin & Piano, Op.16 No.2

A very effective take on the famous Spanish dance form, calls on the violinist to pull out all of the stops to create the right mood.

Moritz Moszkowski (1854-1925)

Guitarre for either Cello or Violin & Piano, Op.45 No.2

Both versions became better known than the original piano version. Wonderful recital work that really does evoke the guitar.

Moritz Moszkowski (1854-1925)

Quatre Morceaux for Violin & Piano, Op.82

Each written for a different prominent violinist, each different in mood & character, make superb recital works.

Moritz Moszkowski (1854-1925)

Suite for 2 Violins & Piano or Standard Piano Trio, Op.71

A brilliant and spectacular tour de force which should not be missed by strong players. Hear the sound-bites

Jules Mouquet (1867-1946)

Solo de Concours for Clarinet & Piano

One of the best Concours pieces commissioned by the French government. A showcase for a first class player.

Wolfgang Amadeus Mozart (1756-1791)

Five Divertimenti for 2 Violins & Cello, K.229 Anh

Originally for 3 bassett horns, publishers begged for different arrangements. Ours, in our opinion, is the best.

Karl Muller-Berghaus (1829-1907))

String Quartet in c minor, Op.11

Quartettmassig as the Germans say, music well-suited for the medium. An excellent program choice for amateurs

Johanna Muller-Hermann (1878-1941)

Violin Sonata in d minor, Op.5

A lovely, lyrical work heavily influenced by the music of Schumann and Mendelsohn. A good work for recital.

Johanna Muller-Hermann (1878-1941)

String Quartet in E flat Major, Op.6

A late post-Brahmsian work showing the influence of Bruckner and early Zemlinsky.

Johanna Muller-Hermann (1878-1941)

String Quintet (2 violas) in a minor, Op7

A late Romantic era masterpiece. Superb from start to finish. A concert hall must.

Johanna Muller-Hermann (1878-1941)

Piano Quintet in g minor, Op.31

Composed toward the end of her life, it combines late Romanticism with some edgy dissonances. Superb work.

Nikolai Myaskovsky (1881-1950)

Cello Sonata No.1 in D Major, Op.12

A beautiful and lush post romantic work showing the influence of Tchaikovsky and Rachmaninov.

Nikolai Myaskovsky (1881-1950)

Cello Sonata No.2 in a minor, Op.81

Another masterwork of the genre. Lovely melodies topped off by an exciting moto perpetuo finale.

Nikolai Myaskovsky (1881-1950)

String Quartet No.1 in a minor, Op.33 No.1

Actually his Fourth Quartet. Tonally, along with No.2, his most advanced work. Original & thought provoking

Nikolai Myaskovsky (1881-1950)

String Quartet No.2 in c minor, Op.33 No.2

By turns dark and brooding, tinged with nervous energy and original thoughts.

Nikolai Myaskovsky (1881-1950)

String Quartet No.3 in d minor, Op.33 No.3

Combines late Russian Romanticism with the early emerging modern idiom. A compelling work.

Nikolai Myaskovsky (1881-1950)

String Quartet No.4 in f minor, Op.33 No.3

Powerful, innovative, original, fine part-writing, fine thematic material all describe this first class work.

Nikolai Myaskovsky (1881-1950)

String Quartet No.5 in e minor, Op.47

An appealing work, modern, yet with traditional melodies and tonalities. A good choice for concert or home.

Nikolai Myaskovsky (1881-1950)

String Quartet No.6 in g minor, Op.49

Dark, brooding and powerful. Written on the eve of WWII, this work hints at the looming cataclysm

Nikolai Myaskovsky (1881-1950)

String Quartet No.7 in F Major, Op.55

This quartet shows the results of his visit to the Caucasus with several 'Russian oriental' melodies in modern garb

Nikolai Myaskovsky (1881-1950)

String Quartet No.8 in f# minor, Op.59

We believe this composer's quartets are as important as those of Shostakovich & Prokoviev. Hear the soundbites.

Nikolai Myaskovsky (1881-1950)

String Quartet No.9 in d minor, Op.62

Powerful & dramatic, orchestral, almost breaking the bounds of chamber music. An extraordinary work.

Nikolai Myaskovsky (1881-1950)

String Quartet No.10 in F Major, Op.67 No.1

Actually one of his first quartets dating from 1907 but reworked later. Very appealing with fetching melodies

Nikolai Myaskovsky (1881-1950)

String Quartet No.11 in E flat Major, Op.67 No.2

Subtitled "Reminiscences" this is a reflective work in which he revisits melodic ideas from his past

Nikolai Myaskovsky (1881-1950)

String Quartet No.12 in G Major, Op.77

A big work full of interesting contrasts. Genial and folkloric, then mystical and remote. An important work.

Nikolai Myaskovsky (1881-1950)

String Quartet No.13 in a minor, Op.86

His last work has a universal quality which combines lyricism, force, drama fantasy and imagination. 1st rate

Josef Myslivecek (1737-1781)

3 String Quintets (2Vla), Op.2

Probably the first viola quintets published. He influenced both Mozart & Haydn in shaping the new classical style.

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Composers C to D

Composers E to F

Composers G

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Composers N to P

Composers Q to R

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