Presents
Peter Heise
String Quartet 3 in B flat Major-World Premiere Edition
Peter Heise (1830-1879) was born in Copenhagen where he studied locally before attending the Leipzig Conservatory. Heise was of the generation for whom Mendelssohn and Schumann were the guiding lights. He was also influenced by his fellow countryman, Niels Gade. He did not find Wagner and the tonal ideas of the New German School to his taste. Upon his return to Copenhagen, he made a name for himself as a song writer although he composed in most genres. His opera Drot og Marsk (King & Marshall) was widely regarded the finest Danish opera of the 19th century. Although his instrumental works are almost uniformly excellent, because of the tremendous popularity of his songs, they were overlooked. Among his chamber music works are 6 string quartets, a piano trio, a piano quintet, and a number of instrumental sonatas. Heise's father was a civil servant in the government and Heise had grown up among the the upper middle classes of Copenhagen where playing string quartets had come to be an integral and essential part of cultural life. The Danish music historian Angul Hammerich, writing about musical life in Denmark around the middle of the 19th century, states the string quartet played the same role as the piano later did. That is to say there was hardly any genuine musical middle class home that did not have its regular weekly quartet evening where the works of Haydn, Mozart, Beethoven, Schubert and Mendelssohn would receive regular outings. Hence, from the time of his childhood, he became quite familiar with the genre and while growing up, took part in many quartet sessions at the home of his friends Julius and Edward Holm. When he composed his first two string quartets during the winter of 1851–52, he had already been playing quartets for several years.
String Quartet No.3 in E flat Major was composed sometime around 1854 after he returned from Leipzig he had studied privately with Moritz Hauptmann a professor of music theory and composition at the Conservatory there. The quartet opens with a substantial slow somewhat melancholy introduction which leads to the main section Allegro molto vivace, which is upbeat, lively and full of forward motion. The second movement, Scherzo, presto agitato, starts off quietly but quickly gains in tension. It features temolo and sudden accent burst. A trio section, Un poco piu lento, though a bit slower, does not relieve the tension. Next comes an Andante sostenuto which has a mysterious aura to it. The finale, Molto allegro, is full of drama and excitement as it hurtles forward with abandon.
We are proud to present what is the fourth world premiere of a chamber music work by this important and unfairly neglected composer. The manuscripts to his six string quartets were bequeathed to the Royal Danish Library by his wife upon her death in 1912. Our edition was carefully edited by H.S. Stewart who consulted the original manuscript. Professionals and amateurs who take the time to make this works acquaintance will be well rewarded.
Parts: $29.95
Parts & Score $39.95
